Creativity & Participation
Creating opportunities for people to make, try creative activity, and take part in ways that feel approachable.
Our Impact
We are building a careful picture of impact across workshops, community activity, public-space projects, and collaborations in Stockton-on-Tees. For now, this page focuses on the qualitative areas we look at rather than presenting unverified totals or claims.
How we think about impact
Numbers can be useful when they are properly evidenced, but they are only one part of the story. We also look at the opportunities created for people to participate, connect, practise skills, encounter creativity in everyday places, and work with others.
These are the areas we use to guide reflection and future public reporting as our evidence is reviewed and approved for publication.
Qualitative focus
Creating opportunities for people to make, try creative activity, and take part in ways that feel approachable.
Creating opportunities for people to connect through shared creative activity.
Bringing creativity into everyday public spaces.
Reducing barriers to creative participation through adaptable approaches.
Supporting opportunities to practise creative skills and build confidence through participation.
Working alongside groups, organisations, venues, businesses, communities, and other collaborators where appropriate.
Real project example
A growing collaborative programme of creative work in public bus-stop spaces across Stockton-on-Tees, involving community participation, painting, and locally shaped artwork.
Joint / Collaborative — Wooly Wood Shop + Creative Chaos CIC
We do not want to publish numbers, quotes, or outcome statements simply because they sound impressive. Public evidence should be based on records that have been reviewed and are appropriate to share.
How we build evidence
Different projects need different forms of evidence. These are some of the sources we can draw on when understanding activity and preparing information for public use.
Recording what took place and the shape of the activity.
Keeping clear records of project activity and development.
Using feedback where it is appropriate and approved for public use.
Using visual documentation only where consent and publication approval allow.
Drawing on relevant project records where they are appropriate for public reporting.
Future public evidence
As evidence is reviewed and approved for publication, this area can grow to include public stories, project summaries, reports and verified measures.
See current community project information, find ways to take part, or get in touch about collaboration and project enquiries.